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Created in 1995 and named after Diana, Princess of Wales, it was gifted to her by Bernadette Chirac, the first lady of France at the time. The stitching pattern, called "cannage," alludes to the cane chairs in the house's old couture salon; the D-I-O-R charms that hang from the handle-which presaged the trend for totes bedecked with trinkets that came years later-are a nod to Monsieur Dior's personal fascination with amulets and talismans. Its femininity and hard structure make it a beguiling mix of contradictions-a hallmark of Dior under her auspices. As an investment of passion that is visible to the world and whose contents are incredibly personal, it serves as a marker not only of status and taste, but also of identity. The new Lady Dior 95. Bettmann/Getty Images And while she claims not to have anyone specific in mind when designing, the faces for the advertising campaign-among them feminist writer Chimamanda Ngozi Adichie, tennis player Emma Raducanu, and actors Anya Taylor-Joy, Dilraba Dilmurat, and most recently Jennifer Lawrence-suggest that she is honoring the accessory's connection to exceptional characters. This doesn't mean, however, that they need to be in the public eye. camera bag cyber mondaycheap prada bag